Pages

Showing posts with label LaLaLand. Show all posts
Showing posts with label LaLaLand. Show all posts

Monday, February 27, 2017

OSCARS 2017: Price Waterhouse Coopers Statement and Apology about Wrong Best Picture Envelope


OSCARS 2017: Price Waterhouse Coopers Statement and Apology about Wrong Best Picture Envelope


Epic Academy Awards flub: What went wrong




The apology
PwC apologized to the casts of both films, as well as Beatty and Dunaway, for the "error."
"The presenters had mistakenly been given the wrong category envelope and when discovered, was immediately corrected," the firm said in a statement. "We are currently investigating how this could have happened, and deeply regret that this occurred.
PwC has in the past portrayed its involvement in the Oscars as a symbol of its integrity.
"PwC's role in the Oscars balloting process represents the firm's lasting legacy of utmost accuracy and confidentiality," Ruiz said in a statement issued before the 2015 ceremony.

On Sunday, Cullinan's twitter feed was filled with photos taken backstage at the event -- including best supporting actress Viola Davis and best actress Emma Stone.
Later, after PwC issued its apology, all Oscar night tweets disappeared from Cullinan's account.
"We appreciate the grace with which the nominees, the Academy, ABC, and [host] Jimmy Kimmel handled the situation," PwC said in its statement.

Cullinan, the managing partner for PwC's business in Southern California, explained the envelope logistics in an interview published on Medium on February 10.

"The producers decide what the order of the awards will be. We each have a full set. I have all 24 envelopes in my briefcase; Martha has all 24 in hers. We stand on opposite sides of the stage, right off-screen, for the entire evening, and we each hand the respective envelope to the presenter. It doesn't sound very complicated, but you have to make sure you're giving the presenter the right envelope," he said.
It's not clear why two sets of envelopes are needed, but security appears to be a major concern for PwC. The briefcases used are kept under lock and key, for example.


And the loser is ... PricewaterhouseCoopers

The global accounting firm has apologized for the embarrassing envelope mix-up that resulted in "La La Land" being wrongly announced as best picture at the Oscars.
It's still not clear exactly how PwC, which has administered the Oscars balloting process for more than 80 years, allowed the wrong red envelope to be carried on stage in a snafu that spoiled Hollywood's biggest moment of the year.
PwC says it maintains control over "all aspects" of the Academy's voting process.
The firm has sole custody of all votes, and is responsible for keeping the results confidential. Once the ballots have been tabulated, two senior accountants memorize every winner, and then prepare two briefcases with the envelopes used by presenters on the big night.

The two accountants -- Martha Ruiz and Brian Cullinan -- carry the briefcases to the ceremony via "separate, secret routes." The pair stand backstage and hand envelopes to award presenters before they walk onstage.
It was a breakdown in the final stage of this process that led presenter Faye Dunaway to announce "La La Land" as the winner of cinema's most prestigious prize, only for "Moonlight" to be confirmed as the true champion moments later.
What went wrong?

The first sign that something was amiss came when Warren Beatty took an extended pause before showing the card to his fellow presenter. Dunaway went ahead, pronouncing "La La Land" as best picture.

The cast and crew of the musical reacted in typical fashion: They bounded up to the stage and began issuing a flurry of "thank yous" to supporters and family members. A man wearing a headset and holding an envelope then appeared onstage.
It fell to "La La Land" producer Jordan Horowitz to explain that something had gone very wrong.

"I'm sorry, there's a mistake. 'Moonlight,' you guys won best picture."
"This is not a joke," he said. He flashed the real card at the crowd: "Moonlight," it read.

Beatty suggested that he had been given the wrong envelope.
"I want to tell you what happened," Beatty said before leaving the stage. "I opened the envelope and it said 'Emma Stone, La La Land.' That's why I took such a long look at Faye."





Cullinan, the managing partner for PwC's business in Southern California, explained the envelope logistics in an interview published on Medium on February 10.

What It Feels Like To Count Oscar Votes
A behind-the-scenes look at the world’s biggest awards show

Courtesy of https://medium.com/art-science/what-it-feels-like-to-count-oscar-votes-f89a38efdf1c#.s3cauuvu2

As we gear up for the Oscars on February 26th, we’re sharing an exclusive look behind-the-scenes through our Making the Oscars series.
Brian Cullinan and Martha Ruiz are partners at the professional services firm PricewaterhouseCoopers. They are also the only two people who know the list of Oscar winners before the rest of the world. In this post, they reflect on PwC’s history at the Academy Awards and why theirs is the coolest job an accountant can have.
How does one become an Oscars balloting leader?
Brian Cullinan: Both Martha and I are based in Los Angeles, but that’s not the main criteria necessarily. We both work heavily with entertainment companies. My background is in assurance and Martha works mostly with tax clients. When my predecessor retired from the firm, he asked if I’d be willing to take over his role, and of course I said yes. This will be the fourth consecutive year I have been involved, and Martha joined the team as one of 

the lead partners just a couple of years ago.
Martha Ruiz: Prior to becoming one of the Oscar ballot leaders, I had been involved as one of the team members for a number of years. So I had some history behind the overall process, and was fortunate enough to be asked to take on this role.
BC: This is the 89th Academy Awards and it’s PwC’s 83rd year doing the ballot counting. During that entire time, we’ve had two partners lead the process in order to ensure redundancy in everything we do.
In the 83 years we’ve been doing it, I’m the 13th partner to do it and Martha’s the 14th.
We have a lot of continuity. We keep the teams intact as much as we can over time.

What was your first Oscars experience like?
BC: I knew about PwC’s role in the Oscars before I even joined PwC 32 years ago. It’s surreal to walk down the red carpet carrying the briefcase with the winning envelopes in it, doing interviews with the global press and being part of this line of well-known actors, actresses, producers and directors on the red carpet.
It’s one of the coolest jobs that an accountant can have.
MR: My first year, I didn’t realize until the end of the show all that had happened that day because I was focused on making sure that I followed every single protocol. I distinctly remember, after the last envelope was handed to the presenter, it was like a flashback — “Wow that was great, that was exciting.” — but as each minute was passing during the day of the show, I was laser-focused.
How does it feel once you’ve delivered the last envelope?
MR: As soon as that last award is announced, Brian and I meet onstage and head over to get something to drink very quickly at the Governors Ball.
BC: Some people ask us if we are relieved once the last envelope is handed out and the show is concluded, suggesting that we have no further secrets to keep.
In reality, there are a number of secrets that we keep forever.
Some of those include: who got second? Or, how close was it? Those questions we never answer. It doesn’t end with the last envelope.
What does the ballot-counting process entail?
MR: The ballot-counting process is still done very manually. Although members have the option to vote online, we convert to a paper process to do the tabulation. We divide the counting amongst a number of team members in such a way that no one will have a significant percentage of the total. Brian and I will then get everything together so that we’re the only ones that see the total count for each of the categories. Ideally, we like to have everything completed several days before the show. That last day is when Brian and I will start memorizing the winners of each category and start quizzing each other.
We make sure that we don’t have any of the final winners written down anywhere.
It’s that extra measure to make sure it really is only to our memory at that point, to make sure that everything’s accurate.
BC: The show is at the end of February this year. We’ll probably start work on next year’s Oscars in March. It’s almost a full year-round process. Some months are lighter than others, but it builds all the way until the show.

What is your role during the show?
BC: The producers decide what the order of the awards will be. We each have a full set. I have all 24 envelopes in my briefcase; Martha has all 24 in hers. We stand on opposite sides of the stage, right off-screen, for the entire evening, and we each hand the respective envelope to the presenter. It doesn’t sound very complicated, but you have to make sure you’re giving the presenter the right envelope.
PwC has been involved in the Oscars ballot count for decades. What has changed over the years? What has stayed the same?
BC: I can say for sure that our view of our role has stayed the same — how critical it is to be accurate and keep it confidential. We check things dozens of times, recounts and double-checks. We’ll have staff go back two and three times to make sure, and then Martha and I will review and recount to ensure there are no differences between what we have and they had. So far, there’s never been a problem.
MR: I think online voting has been a positive change because you certainly see more members have the ability to vote right until polls close. What’s stayed the same: the protocols, the procedures and the length to which we go to ensure the confidentiality and integrity of the process.

Do you have a favorite Oscar moment?
BC: A couple of years ago, when Neil Patrick Harris was the host, he set up his Oscar predictions at the beginning of the show, had them in our briefcase and was going to reveal them at the end. The briefcase was under lock and key. Through the rehearsals, they told me my role was to hold the key and then, at the end of the show, right before Best Picture was announced, I would go on stage and hand Neil the key without saying anything.
Then the show came, we got to that part at the very end, and just before I was up to go onstage, one of the stage managers came over and attached a microphone to my lapel and put a battery in my pocket.
He told me that Neil had changed his mind earlier that day and that when I went out there, he was going to ask me a few questions. Of course, I had no idea what he was going to ask me. I had about two minutes to think about it, but in the end it turned out great.
MR: That first year, we were taking some pictures on the red carpet and we got photo-bombed by John Legend because he saw the briefcase and wanted to be a part of the picture. We have a couple of those that happen from time to time.
When Brian and I walk down the red carpet, people know who we are simply because we’re holding the briefcase.
BC: Martha raises a good point. I think, a lot of times, we’re amazed because celebrities will come over to us and ask if they could have their picture taken with us, which is kind of a 180 from what normally happens.


Tuesday, February 21, 2017

Writers Guild awards 2017: Moonlight and Arrival land top prizes


Moonlight and Arrival land top prizes at Writers Guild awards


Barry Jenkins' coming of age tale won best original screenplay while Eric Heisserer's Sci-Fi drama took best adapted screenplay at the WGAs. 

TV, radio, new media and video games

Best comedy/variety sketch series: Saturday Night Live
Best comedy/variety talk series: Last Week Tonight With John Oliver
Best drama series: The Americans
Best children’s episode: Gortimer Gibbon’s Life on Normal Street (Mel v The Night Mare of Normal Street)
Best children’s long form: Once Upon a Sesame Street Christmas
Best daytime drama: General Hospital
Best on-air promotion (television, new media or radio): CBS On-Air Reel

Best TV news script – analysis, feature or commentary: CBS Sunday Morning Almanac
Best TV news script – regularly scheduled, bulletin or breaking report: Muhammad Ali: Remembering a Legend
Best television graphic art and animation: The Real History of Cinco de Mayo
Best comedy/variety special: Triumph’s Election Special

Outstanding achievement in video game writing: Uncharted 4: A Thief’s End
Best original short form new media: The Commute (The Party)
Best quiz and audience participation: Hollywood Game Night
Best radio documentary: Chernobyl: 30 Years Later
Best radio news script – regularly scheduled, bulletin or breaking report: World News This Week
Radio news script – analysis, feature or commentary: Morley Safer: A Journalist’s Life

Best animation: BoJack Horseman (Stop the Presses)
Best documentary script – current events: Frontline, The Choice & Inside Assad’s Syria
Best documentary script – other than current events: Jackie Robinson, Part One
Best adapted short form new media: Fear the Walking Dead
Best adapted long form: The People v OJ Simpson: American Crime Story
Best original long form: Confirmation
Best new series: Atlanta
Best comedy series: Atlanta
Best episodic comedy: Unbreakable Kimmy Schmidt (Kimmy Goes on a Play Date)
Best episodic drama: This Is Us (The Trip)

International screenwriting achievement: Abbas Kiarostami
Morgan Cox award: Dan Wilcox
Paul Selvin award: Susannah Grant
Screenwriting achievement: Oliver Stone
Animation writing award for lifetime achievement: Mike Judge
Television writing achievement: Aaron Sorkin

Humanitarian service: Richard Curtis










Monday, January 30, 2017

THE SCREEN ACTORS GUILD AWARDS ( SAG AWARDS) 2017- COMPLETE LIST OF WINNERS & RED CARPET


THE SCREEN ACTORS GUILD AWARDS ( SAG AWARDS) 2017- COMPLETE LIST OF WINNERS & RED CARPET

Courtesty of  http://www.sagawards.org/awards/nominees-and-recipients/23rd-annual-screen-actors-guild-awards

2017 SAG AWARD WINNERS

MOVIES

Outstanding Performance by a Male Actor in a Leading Role
Casey Affleck, Manchester By The Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences - WINNER

Outstanding Performance by a Female Actor in a Leading Role
Amy Adams, Arrival
Emily Blunt, The Girl On The Train
Natalie Portman, Jackie
Emma Stone, La La Land - WINNER
Meryl Streep, Florence Foster Jenkins

Outstanding Performance by a Male Actor in a Supporting Role
Mahershala Ali, Moonlight - WINNER
Jeff Bridges, Hell or High Water
Hugh Grant, Florence Foster Jenkins
Lucas Hedges, Manchester By The Sea
Dev Patel, Lion

Outstanding Performance by a Female Actor in a Supporting Role
Viola Davis, Fences - WINNER
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester By The Sea

Outstanding Performance by a Cast in a Motion Picture
Captain Fantastic
Fences
Hidden Figures - WINNER
Manchester by the Sea
Moonlight

Outstanding Performance by a Stunt Ensemble in a Motion Picture
Captain America: Civil War
Dr. Strange
Hacksaw Ridge - WINNER
Jason Bourne
Nocturnal Animals


TELEVISION
Outstanding Performance by a Male Actor in a Drama Series
Sterling K. Brown, This Is Us
Peter Dinklage, Game of Thrones
John Lithgow, The Crown - WINNER
Rami Malek, Mr. Robot
Kevin Spacey, House of Cards

Outstanding Performance by a Female Actor in a Drama Series
Millie Bobby Brown, Stranger Things
Claire Foy, The Crown - WINNER
Thandie Newton, Westworld
Winona Ryder, Stranger Things
Robin Wright, House of Cards

Outstanding Performance by an Ensemble in a Drama Series
The Crown
Downton Abbey
Game of Thrones
Stranger Things - WINNER
Westworld

Outstanding Performance by a Male Actor in a Comedy Series
Anthony Anderson, Black-ish
Tituss Burgess, The Unbreakable Kimmy Schmidt
Ty Burrell, Modern Family
William H. Macy, Shameless - WINNER
Jeffrey Tambor, Transparent

Outstanding Performance by a Female Actor in a Comedy Series
Uzo Aduba, Orange Is The New Black
Jane Fonda, Grace & Frankie
Ellie Kemper, The Unbreakable Kimmy Schmidt
Julia Louis-Dreyfus, Veep - WINNER
Lily Tomlin, Grace & Frankie

Outstanding Performance by an Ensemble in a Comedy Series
The Big Bang Theory
Black-ish
Modern Family
Orange Is The New Black - WINNER
Veep

Outstanding Performance by a Male Actor in a Miniseries or Television Movie
Riz Ahmed, The Night Of
Sterling K. Brown, American Crime Story: The People V. OJ Simpson
Bryan Cranston, All The Way - WINNER
John Turturro, The Night Of
Courtney B. Vance, American Crime Story: The People V. OJ Simpson

Outstanding Performance by a Female Actor in a Miniseries or Television Movie
Bryce Dallas Howard, Black Mirror
Felicity Huffman, American Crime
Audra McDonald, Lady Day at Emerson's Bar & Grill
Sarah Paulson, American Crime Story: The People V. OJ Simpson - WINNER
Kerry Washington - Confirmation

Outstanding Performance by a Stunt Ensemble in a Television Series
Game of Thrones - WINNER
Daredevil
Luke Cage
The Walking Dead

Westworld