Sampha - Process full album
https://www.youtube.com/playlist?list=PLxKHVMqMZqURbZoR6byhG6sSL84FJ2GbF
Sampha - Blood on Me (Official Video) https://youtu.be/_oM1DFL43Lk
The artist, full name Sampha Sisay, won the Hyundai Mercury prize for his critically acclaimed debut
album Process. At the ceremony, Sampha performed, to silence then
wild cheers (No One Knows Me) Like the Piano, which, for emotional types,
was one of the most heartbreaking and beautiful singles of the year.
Afterwards, he said it was an amazing feeling to win.
“It’s taken me quite a while to feel like I was emotionally stable enough to
write my own record and people have just been incredibly lovely and
understanding … it feels like a weight off my shoulders.”
Sampha’s gorgeous, distinctive, soulful voice has
appeared on songs by some of the biggest names in US hip-hop and R&B
including Beyoncé, Drake, Solange and Kanye West.
But it has taken some time for the 28-year-old to blossom
into a notable recording artist in his own right, with an album
heavily influenced by the death of his mother from cancer and fears for his own
health.
Sampha was one of five south London artists
nominated for this year’s prize and is probably the most unassuming of all the
nominees. Asked what he would do with the prize money he gave the most
un-rock‘n‘roll answer it’s possible to give.
“Put it away? Save it up? Saving is always good.” How
would he celebrate? “I just want to see my family and friends, have a couple of
drinks.”
He said artists always struggled with self-esteem, so to
win the Mercury “definitely does give you a boost”.
Sampha had been among the bookmakers’ favourites to win,
up against artists including Kate Tempest, Stormzy, and Ed Sheeran who, with the best will in the world, no one
expected to pick up the prize. Another debutant, J Hus, had been heavily tipped too.
The actor Idris Elba gave Sampha his £25,000 prize at a
ceremony with performances from the shortlisted artists at the Eventim Apollo
in Hammersmith, London.
The long time favourite to win had been Tempest for her
angry, melodic, state-of-the-nation album Let Them Eat Chaos. But it was not
to be and Sampha’s victory continues the run of men winning the album award.
Since PJ Harvey won her second Mercury prize
in 2011, the only artist to win two, it has been won by Alt-J, James Blake,
Young Fathers, Benjamin Clementine and last year, Skepta.
Alt-J were
again nominated, for their album Relaxer, although it’s fair to say they did not hold out much
hope of repeating the win.
Singer Joe Newman admitted before the ceremony that even
his family were not optimistic. “My sister has put a bet on J Hus, which is
reassuring,” he said.
If they were to win they would give the money to the
mental health charity Mind, but they did not expect it. “There are a lot of
great acts here and we’re just happy to be part of it really.”
There was similar pessimism among the four former Oxford
schoolfriends who make up Glass Animals, although at least singer Dave Bayley’s
mum had put a bet on them winning – £5 at odds of 33-1, which was before a late
flurry of betting propelled them to a price of 11/4.
Drummer Joe Seaward said: “It is very nice to be asked at
all, I don’t think we’ve got that far down the road of thinking about winning.
We’ve got a song to play.”
They were looking forward to the evening and then a 7am
flight on Friday to the US to begin their tour.
The prize is decided on the night by a panel of judges
who this year consisted of musicians Ella Eyre, Jamie Cullum, Marcus Mumford
and Lianne La Havas, the Guardian’s deputy music editor Harriet Gibsone, DJ
MistaJam, critic Will Hodgkinson, Mojo and Q magazine editor-in-chief Phil
Alexander, the head of music at Radio X, Mike Walsh, and the head of music at
BBC 6Music and Radio 2, Jeff Smith.
How their discussions went will no doubt emerge, although
Mumford gave a glimpse into the shortlist meeting, telling the BBC: “We were
only allowed to talk about positive things. So I shut up quite a lot.”
Last year the judging panel were split between giving the
award posthumously to David Bowie, or to Skepta for his album Konnichiwa.
Whatever the merits of deciding the best
album from such a diverse range of genres – jazz, folk, grime, indie rock,
although as yet no death metal in the prize’s history – one thing is certain.
It dramatically boosts sales.
In the case of jazz, trumpet-led Dinosaur, they rose by
more than 38%, according to an analysis of Official Charts Company data. The
average increase across the 12 albums was 15% in the six weeks between the
shortlist announcement and last Friday’s chart.
The prize began in 1992, won by Primal Scream for
Screamadelica. Since then it has been won by bands including Pulp, Gomez,
Arctic Monkeys, Elbow, and solo artists including Talvin Singh, Ms Dynamite and
Dizzee Rascal.
The culture secretary Karen Bradley said the Mercury prize reinforced the UK’s claim “to be the most
exciting place for music in the world”.
She added: “Britain’s vibrant music scene contributes
billions towards our economy, but it is also deeply engrained in our cultural
DNA and loved by millions of people.”